1. Standing Tiger - When painting a standing tiger, the key lies in "standing". Attention should be paid to the handling of the center of gravity and the fulcrum. It should stand steadily, naturally and gracefully.

2. Walking Tiger - When the tiger is parallel, the front and back techniques move in coordination, one on the left and the other on the right, with uniform steps and constantly changing fulcrums, showing strong regularity. The upward tiger has an upward-sloping body shape, with relatively large curvatures of both its forelimbs and hindlimbs. Relatively speaking, its forelimbs are more slender while its hindlimbs are more solid. The mountain tiger is the opposite. When painting a mountain tiger, the prominent parts should be the thick skeleton and powerful tendons of the shoulders, calcaneus and toes. When painting a mountain tiger, the prominent parts should be the scapula and the joint where the humerus connects to the ulna. As for how to handle the beginning and the end, it can be determined according to the specific situation of the picture.

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3. Crouching Tiger - The crouching tiger's posture is to lean its body and have a certain degree of curvature. Stand the forelimbs upright and straight, and contract the hindlimbs under the thighs. The patella is pressed and protrudes on the outer sides of both waist. The center of gravity of the entire body rests on the ischial bone, with the fulcrum placed on the forelimb, both on the front and side. When squatting on the back of a tiger, the focus can be shifted to the back and hind limbs.

4. Leaping Tiger - When facing a leaping tiger, one must grasp its fierce momentum and the intense movement at the moment it soaps into the air. Pay attention to the movement of its entire body and the changes in its limbs.

5. Running Tiger - Painting a running tiger is a rather intense dynamic, with the focus still on the changes in its limbs. When painting a running tiger, the brushstrokes should be light, bold and unrestrained; it is essential to avoid being stiff and rigid.

6. Reclining Tiger - There are two possible postures for painting a reclining tiger: lying on its back or on its side. Even when a tiger lies down, its might remains. When painting a lying tiger, one should pay attention to depicting its posture of conserving energy and having the ambition to travel a thousand miles. This is what is meant by the saying "A hidden dragon lies in a tiger".

7. Tiger Fighting - When painting a tiger fighting, one should choose the most intense and tense moment to paint. When painting, the author must rely on daily observation and research, and add rich imagination to the composition. The brushstrokes should also carry a touch of anger, and the contour lines should be drawn thick and unrestrained, completed in one go. When depicting muscles and tendons, the main joints should be highlighted according to the movement, and the claws, teeth, whiskers, eyebrows, etc. should all be appropriately exaggerated to set off the atmosphere of struggle.

8. "Wandering the Tiger" - Although "Wandering the Tiger" does not require much ink, it should be able to convey the meaning without touching the pen, leaving ample room for imagination.

9. Eating Tigers - When painting a tiger, the head, neck and forelimbs are usually the key points of depiction. In addition to showing off one's teeth and claws, one must also focus on performing well at key points.

10. Sleeping Tiger - When painting a sleeping tiger, one should deliberately depict its quiet state, with the entire body relaxed, the head attached to the forelimbs, the tail around the hind limbs, or placed on the ground, the eyes closed and the ears upright, while still maintaining a certain level of vigilance.

11. Drinking the Tiger - When painting a drinking tiger, it is important to emphasize its leisurely, carefree and contented expression.

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